Sunday, November 28, 2010

Macro extension tube effects

I recently purchased the kenko extension tube set. You can find a review of them here (http://www.the-digital-picture.com/reviews/kenko-extension-tube-set-review.aspx).

One of the problems that I had was that I was unsure what size things I could photograph with the combination of rings and lenses. So I decided to photograph a ruler with different combinations so I would know. I have shared my results here so everyone can benefit.

Equipment used:
Canon EOS 5D Mark II
Canon 50mm f1.4 (50)
Canon 70-200mm f4 (70-200)
Canon 17-40mm f4 (17-40)
Kenko Extension Tube set 12mm, 20mm, 36mm (12, 20, 36)

In this context "field of view" represents the distance from the left side of the frame to the right side of the frame that was in focus. For instance the following photo shows, what I am calling, 35mm field of view


LensTubesLens Focal Length SettingMinimum Focus field of viewInfinity Focus field of viewNotes
50none50mm250mm-
501250mm95mm155mm
5012+2050mm50mm60mm
5012+3650mm34mm39mm
5020+3650mm30mm35mm
5012+20+3650mm25mm29mm
70-200none200mm155mm-
70-20012+20+36200mm60mm110mmvery long lens, camera shake is significant
70-20012+20+3670mm40mm40mmvery long lens, camera shake is significant
17-4012+20+3640mm17mm22mmat minimum focus, end of lens is less than 10mm away from target


I tested the 17-40mm at 17mm but the chromatic aberation was so bad that I would call it unusable.

So, what about some practical examples:
 matchbox mini (taken with 12+20+36 tubes, 50mm f1.4 at f22 and focus set to minimum)

Australian $2 coin (taken with 12+20+36 tubes, 50mm f1.4 at f22 and focus set to infinity)

 Australian $2 coin (taken with 12+20+36 tubes, 50mm f1.4 at f22 and focus set to minimum)

 Australian $2 coin (taken with 12+20+36 tubes, 50mm f1.4 at f1.4 and focus set to infinity). Lack of depth of field is your enemy in the world of macro.

very small needle (taken with 12+20+36 tubes, 50mm f1.4 at f22 and focus set to infinity)

Other fundamental macro notes
The camera becomes a very significant shadow when dealing so close to your target. I dislike the look of direct flash mounted on the hotshoe of a camera. Instead consider:
  • Firing the flash off at an angle to bounce off a white surface. This could even be a piece of white paper that you are holding if you are strong enought to hold your camera in one hand.
  • Purchasing a flash cord that conencts to the shoe to enable you to place/hold the flash wherever you want. I bought a 3.6m coiled one and I am very happy with the distance. I was worried that the length would get in the way but I have not found this to be the case.
  • Purchasing a diffuser of some kind for the flash.
Purchasing advice
Note: I receive no commission and have no affiliation with any camera equipment dealers.

I purchase my set of tubes, flash cord and diffuser by searching on ebay and then picking the cheapest ones that would fit my camera.

Useful External macro links
http://nocroppingzone.blogspot.com/

If you have any questions feel free to ask.